Two people admire a mannequin doll wearing a vibrant orange dress in a museum.

School visit without a guide

Visit MoMu with your class.

Visitor information

  • Tickets

  • When

    Tuesday to Sunday between 10 AM - 6 PM
  • Purchase tickets and register

    • Register and then purchase your free admission tickets.
    • Always make a reservation to ensure a warm welcome. Without a reservation, your group may be asked to wait during busy periods.
    • Maximum 50 tickets per time slot.
    • Is your group larger than 10 people? Make sure to also register in advance via balie@momu.be.
  • Good to know

    • Self-guided tours are not permitted. Would you like a guided tour? Discover the full range of options here.
    • Would you like to visit the MoMu Café before or after your visit? Please book in advance via cafe@momu.be (minimum consumption of one drink per person).
  • Questions

    For questions about your booking, please contact booking@antwerpen.be, +32 3 339 47 00.

Visit the museum with your group and discover MoMu's temporary exhibition and the MoMu Collection.

Jeroen Broeckx

Fashion from the MoMu Collection

MoMu’s collection presentation looks back at four decades of Belgian fashion, complemented by a selection from the museum’s historical collection. The exhibition gives an overview of the most important protagonists of Belgian fashion, based on the themes that characterise the distinctive nature of the MoMu Collection.

Embroidering Palestine (up to 07.06.2026)

Embroidery, called tatreez in Arabic, is the most important cultural practice of Palestine. Historically, Palestinian fashion was defined by diversity, with every region known for distinct textiles, styles and stitchwork. More than a craft, tatreez in the nineteenth and early twentieth centuries was a visual language shared by women, as embroidery reflected its maker’s identity and origins.

This exhibition explores Palestinian embroidery and dress through the lenses of nature, splendour, power and change. Tatreez was a rural craft, embedded in women’s relationship to nature – from motifs inspired by Palestinian flora, to fabrics dyed with indigo grown in the Galilee. At the same time, the splendour of embroidery attested to women’s wealth and status. The wedding was a vital rite of passage, with sumptuous clothing a key element of celebrations. Golden thread, mother-of-pearl shoes, and elaborate headdresses offer a spectacular glimpse of local craftsmanship. Silver jewellery, along with certain tatreez motifs, also held talismanic significance, reflecting the power of clothing to affect and protect the body.

Today, embroidery’s power lies in its connection to Palestinian identity, as a symbol of resistance and solidarity. Since the Nakba, or catastrophe, of 1948, which refers to the mass displacement and dispossession of hundreds of thousands of Palestinians, and the establishment of the state of Israel, tatreez has become a form of cultural resistance, an assertion of identity. The exhibition traces the politicisation of the craft, and the continued inspiration it provides to Palestinian fashion designers in the present.