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RESOLUCIÓN: On lifetime decisions in Spanish cinema

A woman looks at herself in a bathroom mirror.

In conjunction with EUROPALIA ESPAÑA, MoMu explores the history of Spanish cinema, seen through its divas, actresses, and iconic female characters who have shaped its filmography.

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Description of the exhibition

RESOLUCIÓN – a word that in Spanish is feminine and means "something that is decided" – is an audiovisual installation that reinterprets the history of Spanish cinema through its iconic actresses and some of the characters they portrayed. Taking its cue from Serge Daney’s quote, “The body of the actor spans all cinema; it is its true history,” RESOLUCIÓN is a meticulous cataloging of gestures that reveals resonances between different eras and explores how clothing and styling reflect pivotal moments in women’s lives.

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The decisions made by the protagonists in RESOLUCIÓN take many forms: changing their lives, leaving home, seeking revenge, accepting their destiny... In every case, these are women facing crucial moments of transformation — transitional instants that, on cinematic screen, become visible through recurring gestures and visual motifs, repeated and expanded through time, bringing together past and present female experiences. This intersection of national memory and film representation echoes Raymond Durgnat’s assertion that “the social history of a nation can be written in terms of its film stars.”

  • A woman in a light purple outfit calls into a phone box.
    Still from Historia de una chica sola, 1972, directed by Jorge Grau
    1/3
    Jorge Grau
  • A woman with a richly decorated headpiece and earrings sits on a bed and holds a bouquet of roses.
    Still from Carmen y Lola, 2018, directed by Arantxa Echevarría
    2/3
    Arantxa Echevarría
  • A woman in a white polkadot dress is holding a red telephone
    Still from Mujeres al borde de un ataque de nervios, 1988, directed by Pedro Almodóvar
    3/3
    Pedro Almodóvar

The installation — composed of clips from one hundred films spanning nine decades — offers an alternative history of Spanish cinema in which stars such as Aurora Bautista, Sara Montiel, Ángela Molina, Carmen Maura, Victoria Abril, Marisa Paredes, and Penélope Cruz (among many others) have embodied the profound and diverse transformations women in Spain have undergone over the past century.

A view from the exhibition RESOLUCIÓN at MoMu Antwerp with three screens depicting three different scenes from Spanish films
Stany Dederen

RESOLUCIÓN is both a tribute to the creative autonomy and iconic power of Spanish actresses and a celebration of the liberating, subversive potential of the performative gesture. It also shows how filmmakers, art directors, costume designers, and make-up and hairstyling artists have used clothing, makeup, and everyday objects to visually elevate the life-changing decisions that shape their protagonists’ existences.

  • A woman in a red dress is walking alongside the road with a suitcase
    Still from Jamón, Jamón, 1992, directed by Bigas Luna
    1/3
    Bigas Luna
  • A woman is in the corner of her house and looking down
    Still from Vámonos, Bárbara, 1978, directed by Cecilia Bartolomé
    2/3
    Cecilia Bartolomé
  • A woman in a black dress and black veil in lace is looking at the camera
    Still from Blancanieves, 2012, directed by Pablo Berger
    3/3
    Pablo Berger

This audiovisual installation has been produced by AECID on the basis of a research specifically carried out for EUROPALIA ESPAÑA.

  • A woman is looking into the camera and takes off her peeling mask
    Still from Elisa, vida mía, 1977, directed by Carlos Sauro
    1/4
    Carlos Sauro
  • A woman in a blue shirt is sitting in the metro, closes her eyes and sighs
    Still from Gary Cooper, que estás en los cielos, 1980, directed by Pilar Miró
    2/4
    Pilar Miró
  • A woman is holding a suitcase and staring at the sea
    Still from Nina, 2024, directed by Andrea Jaurrieta
    3/4
    Andrea Jaurrieta
  • A woman in an ostrich dress and headdress is reading a letter
    Still from Pequeñeces, 1950, directed by Juan de Orduña
    4/4
    Juan de Orduña

Exhibition under the lead of
Guest curators: Beatriz Navas Valdés, Natalia Marín Sancho
Academic advisor: Maria Adell (University of Barcelona)
Editing: Diego López
Sound design: Pedro Portellano

Curator MoMu: Elisa De Wyngaert
Graphic design: Illias Mettioui

Production: Marie Vandecasteele
In collaboration with EGEDA

Campaign image: Still from La mujer sin piano, 2009, directed by Javier Rebollo © Javier Rebollo