MoMu is open until 6:00 PM. Last entry 5:00 PM.
In conversation with filmmaker Reiner Holzemer and producer Aminata Sambe on the documentary The Six.
Just six months after opening, The Antwerp Six has reached the 100,000-visitor mark.
GIRLS is set to continue internationally. The exhibition will travel to the Grand Palais in Paris.
Romy Cockx, Curator behind 'Man Ray and Fashion', discusses the radical nature and visionary edge of Man Ray’s images, as well as the relevance of Surrealism to Belgian culture as a whole.
Part of Man Ray and Fashion
With International Women's Day right around the corner, we want to pay tribute to the multifaceted, creative work of IO Van Oostveldt, which has long remained in the shadows as a result of traditional gender roles.
Part of Geometrically Wired. IO Van Oostveldt: Between Clothing and Art
We look back on the life and work of the late Dutch couturier Josephus Thimister, a designer whose legacy is often underrated within the history of fashion.
'MIRROR MIRROR - Fashion & the Psyche' aims to move visitors through an unexpected dialogue between art installations and avant-garde fashion that highlights such themes as body dysmorphia. We'll walk you through five not-to-be-missed highlights.
Part of MIRROR MIRROR - Fashion & the Psyche
A new display in the MoMu Collection presentation focuses on the American photographer Robert Mapplethorpe (1946-89), and how his work inspired Raf Simons’s Spring-Summer 2017 collection.
Part of Fashion from the MoMu Collection
Alistair O'Neill, curator at Central Saint Martins and one of the members of the research team behind 'Exploding Fashion' on the importance of pattern-making.
Part of Exploding Fashion: From 2D to 3D to 3D Animation
A conversation between Kaat Debo (MoMu) an Bart Marius (Dr. Guislain Museum) on the collaboration between both museums leading up to the joint exhibition 'MIRROR MIRROR - Fashion & the Psyche'.
Before the 'Collection Presentation - Fashion from the MoMu Collection', the 18th-century dress in the French style has never been exhibited before. The piece is quite fragile and both the accompanying petticoat and compère (the false front) were missing.
Although the museum building is closed for renovations, we still inspire at other locations with our museum collection. Discover how a 18th-century waistcoat was refreshed and prepared for exhibition at DIVA Museum