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GIRLS. On Boredom, Rebellion and Being In-Between

Two young girls are laughing and smiling while playfully sticking out their tongues at each other.

How has girlhood been represented? How is it remembered? And how does the idea of ‘the girl’ continue to shape visual culture and fashion?

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Description of the exhibition

GIRLS explores the beauty and complexity of girlhood. How has girlhood been represented? How is it remembered? And how does the idea of ‘the girl’ continue to shape visual culture and fashion?

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In Western art’s canonised history, girlhood has been framed as a fleeting phase: tender, naive, in transition. As an eternal muse, this ‘young girl’ in art history was an anonymity, a silent subject, a daughter of. She plays the piano, holds a kitten, and clasps her hands politely on her knees: her pose and paraphernalia are all suggestive of her virtue and innocence. She’s not bothering anyone, she’s just there. Art that truly centres girlhood, meanwhile, is too often dismissed as sentimental or lacking intellectual rigour. But this trivialisation overlooks the emotional, psychological and political depth that the topic can offer. Through the eyes of the artists, designers, photographers and filmmakers in this exhibition, girlhood is more than just a theme, but a way of seeing – of remembering and imagining.

  • A young woman lies on the grass, smiling brightly.
    Still from The Virgin Suicides, 1999, directed by Sofia Coppola
    1/4
    Sofia Coppola
  • A bronze statue depicting a young ballerina in a tutu.
    Edgar Degas, Little dancer aged fourteen, 1880–81, (cast c. 1922)
    2/4
    Sainsbury Centre, University of East Anglia, Photo: Austin
  • A woman with colourful barrettes adorning her head.
    Micaiah Carter, Adeline in Barrettes, 2018
    3/4
    Micaiah Carter / International Art Advisory LLC, New York
  • A painting of five girls in blue and green dresses and white stockings, each adorned with bows in their long hair.
    Léon Spilliaert, Girls with white stockings, 1912
    4/4
    Mu.ZEE Collection, artsinflanders.be, Photo: Cedric Verhelst

The future depends on how we support teenagers today. Yet, for too many, that future is uncertain. In many communities around the world, gender inequality, poverty, conflict and deep-rooted discrimination steal opportunities before they begin. This project is for these girls, too. It serves as a reminder that through art, fashion and culture, representation and storytelling are essential in shaping visibility. GIRLS is an interdisciplinary project, bringing together visual artists, fashion designers, photographers, costume designers, and filmmakers. It is inclusive of LGBTQIA+ youth and has been created in-conversation with teenagers of today.

Two young girls pose together, both sticking out their tongues; one girl is smiling joyfully at the camera.
Jim Britt, Sisters, 1976
Jim Britt

With work by: Louise Bourgeois, Veronique Branquinho, Jim Britt, Sofia Coppola, Edgar Degas, Chopova Lowena, Jenny Fax, Robert Gober, Lauren Greenfield, Iris Häussler, Nathanaëlle Herbelin, Nancy Honey, Roni Horn, Fumiko Imano, Jas Knight, Sofia Lai, Eimear Lynch, Martin Margiela, Alice Neel, Meret Oppenheim, Frida Orupabo, Simone Rocha, Nancy Steiner, Leticia Valverdes, Jenny Watson, Arisa Yoshioka, Leonardo Van Dijl, Micaiah Carter, Harley Weir, Nigel Shafran, Léon Spilliaert, Juergen Teller and many more.

Exhibition under the lead of
Curator: Elisa De Wyngaert
Guest curator film: Claire Marie Healy
Exhibition design: Janina Pedan
Graphic design: Paul Boudens

Campagne image: Jim Britt, Sisters, 1976

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