21.09.2002 — 16.02.2003

Selection I: Backstage

MoMu starts off with the first exhibition on the 21st of september 2002. As the title indicates, this exhibition focuses on a first selection from the collection. This opens the door to a series of further selections in the future, whether linked to specific themes or not.

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"Selection I: Backstage" has been conceived as a sample of the MoMu-collection, whereby the public is introduced to the various collections and archival pieces within a scenography created by Bob Verhelst.

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EXHIBITION

The conceptual starting point of the exhibition is the notion of 'storage'. The storage or repository of the museum is where collection pieces, individually packed in acid-free paper, are stored in climatically optimal conditions, far removed from the damaging effects of light, dust, and dampness. Initially, the costumes were hung in cardboard boxes, but since June 2002, the MoMu storage has been equipped with a modern wardrobe system, so that these boxes are now a thing of the past.

The storage, which reaches from the ground floor to the sixth floor, is the architectural backbone of the museum. But symbolically, too, it serves a special purpose.

Here, the collection pieces are stored side by side, without distinction. They are, as it were, knocked off their pedestal and deprived of the attention they receive during exhibitions. It is a place that seems to allow a moment's objective reflection, where the pieces can be examined in peace and quiet. But above all it is a place where you might be surprised, where an exquisite item might appear out of an unsightly box. It is this feeling and this atmosphere that we want to recreate in 'Selection 1'.

A museum is a place for contemplation, reflection, study and repose, a place where looking is more important than listening, reading or talking. MoMu is no exception. When we look at clothing and textiles a story emerges of cultural identity, time and our origins, human behaviour and customs, and the spirit of an age. Looking should lead to study and dialogue.
Linda Loppa, former director of MoMu

SCENOGRAPHY

De scenografie is aan de hand van Bob Verhelst, en wordt gekenmerkt door een visueel sterk parcours waarbij een grote vrijheid wordt overgelaten aan de toeschouwer. De stukken worden, indien mogelijk, niet achter glazen kasten opgesteld om zo de fysieke aanwezigheid van de stukken te vergroten en de psychologische afstand met de toeschouwer te verkleinen.